How do transposition and modulation relate? Are
they the same? Let's take a look at both of them and see what
makes them tick.
I am sure that you have had the experience
sometime in your piano-playing life when someone asks you to play
a song -- but in a different key than in which it is written. It
might be a singer wanting you to lower the song a step so he/she
doesn't screech. It might be a song leader wanting you to play a
song in a more comfortable keys for a congregation or group. It
might be a trumpet player looking over your shoulder and wanting
to play along with you -- but when he/she plays the same note you
are playing, it sure doesn't sound the same!
So....it's
your job, as pianist, to get that song moved to a different key.
That's transposition -- playing or writing a song in a different
key than in which it was originally written.
Modulation is
similar but different -- modulation means the process of getting
from the old key to the new key. In other words, if I'm playing in
the key of C, and then want to play in the key of Eb, I have to
learn to modulate -- move smoothly from one key to another without
being too abrupt and jarring.
There are basically 3 ways to
transpose:
1. by intervals
2. by scale degrees
3. by solfege -- the moveable "do" system.
But since
solfege applies mostly to singers, we will ignore that possibility
and just take up the first two:
1. Intervals: If the new
key is an interval of a minor 3rd above the old key, then all
notes in the song will also be an interval of a minor 3rd higher.
In other words, if you are transposing from the key of C to the
key of Eb, which is a minor 3rd higher (or major 6th lower --
whichever way you want to look at it), then all melody notes will
also be a minor 3rd higher:
"G" in the key of C would
become "Bb" in the key of Eb. "E" in the key of C would become
":G" in the new key of Eb. "A" would become "C", "B" would become
"D", and so on. All chords would also move a minor 3rd higher. The
"C chord" would become the "Eb chord", the "F chord" would become
the "Ab chord", and so on.
2. Scale degrees: Each key you
play in has it's own scale degrees. In the key of C the scale
degrees are: C=1, D=2, E=3, F=4, G=5, A=6, B=7, C=8. In the key of
Eb, however, Eb=1, F=2, G=3, Ab=4, Bb=5, C=6, D=7, Eb=8. So if I
want to transpose Silent Night, for example, from the key of C to
the key of Eb, I need to notice what scale degrees I am using in
the key of C, and then use those same scale degrees in the key of
Eb. For example, Silent Night starts on the 5th degree of the
scale, goes up to the 6th, back to the 5th, then down to the 3rd.
In the key of C that is: G-A-G-E. But in the key of Eb it is
Bb-C-Bb-G. Why? Because the scale degrees 5-6-5-3 are constant --
we just need to apply them in each key. What about chords? Same
idea. If the chord progression on Silent Night is the I chord
followed by the V chord, followed by the I chord, followed by the
IV chord, etc. -- then in the key of C that means C-G-C-F-etc.,
but in the key of Eb it means Eb-Bb-Eb-Ab-etc.
Modulation
means getting between keys, so let's say you are playing in the
key of C, but you want to get to the key of Eb smoothly, without
jarring the nerves of the listeners. There are lots of ways to do
it, but the main point is that you have to get to the V7 chord of
the new key. So from the key of C to the key of Eb, that means
getting to Bb7. How do we do that smoothly? We look for chords
with common notes. Since the V of the V of the new key would be
Fm7, we have C as a common note. So we hold the C in the C chord,
and move the rest of the C chord to Fm7, then Bb7, then Eb, and
presto -- we are there!
Hope this has helped you understand
both the process and the difference between transposing and
modulating. Just remember this: Transposition means to play a song
in a different key, while modulation is the process of getting
from key to key.
About the Author
A free lesson from Duane on transposition and
modulation is available:
"How To Transpose & Modulate"
|
